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Porky's
Comedy Dan Monahan, Mark Herrier, Wyatt Knight, Roger Wilson, Cyril O'Reilly Bob Clark
We follow a bunch of high school kids through a period in their puberty. Their lives mainly consist of watching the girls in the shower and making life a living hell for their teachers and for each other. The movie is packed with practical jokes and eccentric characters, like Pee Wee with the short dick (which he measures every morning) who met up for sex with the school "mattress" Wendy already wearing a rubber, or the fat teaching bitch Beulah Balbricker who is determined on making life a living hell for the boys. The name "Porky's" is the name of a striptease bar the boys get thrown out of and humiliated in in the beginning of the movie. They have their minds set on revenge, but that's not easy as the owner's brother is sheriff. Only by forgetting their internal differences can they defeat Porky and his gang.

Porky's II: The Next Day
Dan Monahan, Mark Herrier, Wyatt Knight, Roger Wilson, Cyril O'Reilly Bob Clark
The naughty high schoolers of Angel Beach High now seek revenge on a group of KKK religious fanatics and corrupt politicians who want to shut down their Shakespeare production after they cast a Seminole transfer student in the lead.

Porky's Revenge
Dan Monahan, Mark Herrier, Wyatt Knight, Roger Wilson, Cyril O'Reilly Bob Clark, James Komack
Porky's
Reviled by critics and embraced by the public during its initial run (1981), "Porky's" is interesting to watch after all these years. What holds up about this horny coming-of-age tale is remarkable. Writer/director Bob Clark has little more than sex and practical joking on his mind, and his high school seniors from Angel Beach, Florida, rapidly move from one to the other. Clark displays a sense of timing and, perhaps rarer still, a sense of male friendship--its brutalities and its bonds--that feels right, not artificial. Surprisingly, the showcase practical jokes are still funny: the Everglades encounter with Cherry Forever, the hole in the girls' shower, and Beulah Balbricker, the humongous gym teacher. The comedic set-ups and payoffs surprisingly still work. Clark's insistence on a subplot about anti-Semitism, however, still sticks out as A MESSAGE. Kim Cattrall really got her start here (although almost no one else did) as Ms. Honeywell, a.k.a. "Lassie." Clark later distanced himself from the irritating Porky's sequels and went on to make the wonderful "Christmas Story", the tale of a little boy who wants a BB gun for Christmas. "--Keith Simanton"
Porky's II: The Next Day
The inevitable sequel to the surprise hit movie marks a noticeable change in tone, as the horny kids from the first film fight religious fanatics in order to put on a stage show. Though the gang is still as mischievous as they were the night before, most of the raunchy humor from the first film has been dropped. In its place are some surprisingly effective passages dealing bluntly with sex, love, anti-Semitism, and religious tolerance in the repressed South of the 1950s. It's this turn that makes the sequel a surprise and something distinctive from its predecessor. "--Robert Lane"
Porky's Revenge
Bare breasts, practical jokes, greaser hairdos, and cars with big fins--it must be another "Porky's" movie! "Porky's Revenge" continues to fuse sexploitation and 1950s nostalgia, though by this point the adolescent hijinks feel a bit rote. On the verge of graduation, Pee Wee, Meat, and the other three interchangeable guys (winnowed down from the larger gang of the first two movies) try to help their basketball coach out of a jam by revealing to the authorities that fat, foul-tempered Porky has rebuilt his illegal casino/whorehouse--but when they get caught, they promise Porky they'll throw the state championship to save their lives. This flimsy plot is intertwined with other disconnected bits about Pee Wee having the hots for a foreign exchange student (Playboy Playmate Kim Evenson), Meat being forced to marry Porky's daughter, a contraband stag film, a biology teacher with a sideline as a dominatrix, and of course the eternal presence of women's coach Beulah Balbricker (Nancy Parsons), that towering mixture of prudery and repressed lust. Writer/director Bob Clark had nothing to do with this sequel, so it's unsurprising that the genuine fondness he brought to the characters is long gone; now they're just generic horndog teenagers. Still, most fans of the series rate this one higher than "Porky's II: The Next Day". "--Bret Fetzer"

Ramona and Beezus
Television Selena Gomez, Joey King
Beverly Cleary fans will love "Ramona and Beezus", a peppy, affectionately directed film based on the series of Cleary's children's books, starring the adorable, awkward Ramona Quimby. "Ramona and Beezus" manages to appeal to three distinctly different audiences--tweens, because of its heroine, played with winsome agility by the adorable Joey King; teens, because of the presence of actress-singer Selena Gomez as Beezus (short for Beatrice), the hapless Ramona's older sister; and adults, because of the great casting of the girls' parents, Bridget Moynahan and especially John Corbett. There's also a romantic sub-story involving Ramona's Aunt Bea, played by Ginnifer Goodwin, and a neighbor, Hobart (Josh Duhamel). But the star of this film, as with the Cleary books, is Ramona, the imaginative, active, creative, and sometimes lost-in-her-own-world 9-year-old, whose best intentions have a funny way of nearly always going awry. "Ramona and Beezus" is adapted from several of Cleary's books, and readers will recognize many of Ramona's escapades and mishaps. And perhaps surprisingly, they knit together to make a fine, cohesive family film--the cast interacts well together, especially King and Gomez, whose sisterly chemistry is adorable. There are several laugh-out-loud moments, including a really, really bad cooking incident, and the most creative accidental paint job ever perpetrated on a Jeep. But there's pathos too, and real family emotion, and there are a few teary scenes that make "Ramona and Beezus" that much more endearing. My 10-year-old companion pronounced it "awesome," "believable," and "really, really funny, with good music." Beverly Cleary fans of all ages will agree. --"A.T. Hurley"

Red
Action, Comedy Bruce Willis, Mary-Louise Parker, Morgan Freeman, John Malkovich, Richard Dreyfuss Robert Schwentke
When his idyllic life is threatened by a high-tech assassin, former black-ops agent Frank Moses reassembles his old team in a last ditch effort to survive.

The Cell 2
Horror, Sci-Fi, Thriller Tessie Santiago, Chris Bruno, Frank Whaley, Bart Johnson, Michael Flynn Tim Iacofano
The Cusp is a serial killer who kills his victims and then brings them back to life; over and over again; until they beg to die! Maya is a psychic investigator who gained her powers after a 1 year coma after she was the Cusp's first victim! Now the Cusp Killer is back and Maya has little time to do what she has never done before, go into the mind of a killer unprotected, and save his latest victim.

Replicant
Action & Adventure Jean-Claude Van Damme, Michael Rooker
Jean-Claude Van Damme (star of "Timecop" and "Universal Soldier") plays two roles in this surprisingly good action thriller. "Replicant" also stars Michael Rooker (of "Henry, Portrait of a Serial Killer", "The Replacement Killers") as Jake Riley, a cop who's been tracking a serial killer called "The Torch" (Van Damme). Frustrated, Riley decides to retire--and the National Security Department makes him an offer: they've cloned "The Torch" as part of a program to track down terrorists; they'll turn this replicant (Van Damme again, of course) over to Riley as a sort of test run for the program. The idea is that the replicant will slowly recall the original person's memories and lead the cops to the original. It's ridiculous, but no more ridiculous than the setup for the highly successful "Face/Off", and it works just as well as the engine for an effective action flick. What makes "Replicant" more unusual is that the writers actually put some thought into the relationship between Riley and the replicant, which starts to mirror parent-child relationships in emotionally complex ways. Furthermore, while it's no surprise that Rooker gives a solid performance, it is surprising that Van Damme does just as good a job in both of his roles--he's perfectly creepy as the serial killer and genuinely affecting as the quickly developing replicant, projecting a mixture of innocence and turmoil. "Replicant" was directed by Hong Kong director Ringo Lam, the man behind "Full Contact" and "City on Fire". He was clearly working on a limited budget, but the movie looks good, moves with lean efficiency, and has some riveting action sequences and good quality effects--the scenes where Van Damme (inevitably!) fights himself are completely convincing. A satisfying movie. "--Bret Fetzer"

Scott pilgrim vs the World
Thrillers Michael Cera, Mary Elizabeth Winstead, Kieran Culkin, Chris Evans, Anna Kendrick Edgar Wright
"Scott Pilgrim vs. the World" is a finger-blistering time capsule of "right now", yet in a hundred years it will still be so crammed with charm, wit, brio, and exuberance it will still be irresistible. Scott Pilgrim (Michael Cera, "Superbad") is an accidental heartbreaker, a Canadian slacker who obsesses over the girls who've dumped him but hardly realizes how he's dumped other girls. But everything else in his life (including playing bass in a band) fades to insignificance when he lays eyes on Ramona (Mary Elizabeth Winstead, "Live Free or Die Hard"), his deadpan pixie dream girl. Unfortunately, Ramona has some serious baggage: seven deadly exes, and Scott must battle them all if he wants to date Ramona. "Scott Pilgrim vs. the World" is saturated in pop culture, particularly video games. Many events make almost no sense, but it doesn't matter--sheer narrative ferocity and glee of invention sweep the viewer along. Cera pushes his geek/dork dreamboat persona to new heights of sweet twee-ness; if this movie doesn't shoot him into the stratosphere, we live in a cold, unfeeling universe, bereft of justice. The whole supporting cast (including Kieran Culkin, Jason Schwartzman, Anna Kendrick, Chris Evans, Brandon Routh, and a host of less familiar but excellent young actors) plays every moment for all it's worth. This movie is supremely uncool and passionate, which makes it essential viewing. "--Bret Fetzer"

Splice
Horror, Sci-Fi, Thriller Adrien Brody, Sarah Polley, Delphine Chanéac, Brandon McGibbon, Simona Maicanescu Vincenzo Natali
Elsa and Clive, two young rebellious scientists, defy legal and ethical boundaries and forge ahead with a dangerous experiment: splicing together human and animal DNA to create a new organism. Named "Dren", the creature rapidly develops from a deformed female infant into a beautiful but dangerous winged human-chimera, who forges a bond with both of her creators - only to have that bond turn deadly.

The Deer Hunter
Television Robert De Niro, Christopher Walken, John Cazale, John Savage, Meryl Streep Michael Cimino
Winner of five Academy Awards, including Best Picture and Best Director, "The Deer Hunter" is simultaneously an audacious directorial conceit and one of the greatest films ever made about friendship and the personal impact of war. Like "Apocalypse Now", it's hardly a conventional battle film--the soldier's experience was handled with greater authenticity in "Platoon"--but its depiction of war on an intimate scale packs a devastatingly dramatic punch. Director Michael Cimino may be manipulating our emotions with masterful skill, but he does it in a way that stirs the soul and pinches our collective nerves with graphic, high-intensity scenes of men under life-threatening duress. Although Russian-roulette gambling games were not a common occurrence during the Vietnam war, they're used here as a metaphor for the futility of the war itself. To the viewer, they become unforgettably intense rites of passage for the best friends--Pennsylvania steelworkers played by Robert De Niro, John Savage, and Oscar winner Christopher Walken--who may survive or perish during their tour through a tropical landscape of hell. Back home, their loved ones must cope with the war's domestic impact, and in doing so they allow "The Deer Hunter" to achieve a rare combination of epic storytelling and intimate, heart-rending drama. "--Jeff Shannon"



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